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Clarence Samuel Stein (June 19, 1882 – February 7, 1975) was an American urban planner, architect, and writer, a major proponent of the Garden City movement in the United States.
Quotes[edit]
A Triumph of Spanish Colonial Style (1916)[edit]
- in The Architecture and the Gardens of the San Diego Exposition: a pictorial survey of the aesthetic features of the Panama California international exposition. Essay by Clarence Samuel Stein, Introduction by Bertram Grosvenor Goodhue, descriptive titles by Carleton Monroe Winslow, illustrations from photographs by Harold A. Taylor, and edited by Paul Taylor
- On the one hand, the great focal points and the main arteries of traffic speak of the dignity of government and the easy movement of commerce. But we need also the more intimate side of city planning, the by ways with their little shops, the occasional drinking fountain at a street corner, the glimpse of some secluded garden through a half-open gate.
- A truly great architecture grew up in Mexico after the time of the Conquest of Cortez. It was probably not on account of any lack desire on the part of the early Fathers that architecture was not transplanted to California in the days of the Missions. It is apparent their simple crude touches of ornament, that Padres were trying to simulate the richness of the churches of Mexico City and Puebla—they were pitifully limited, however, not only in wealth but also in the skill of the workmen had at hand.
- The Oriental heritage, due to the long sojourn of the Moors in Spain, had a profound influence on the taste of the people. From these Oriental invaders the Spaniards derived the great surfaces of blank wall with occasional spots of luxuriant ornament that characterize nearly all their work. From them also comes the love of bright color shown in the use of polychrome tiles and rich fabrics and in the painting and gilding of sculpture and ornamental motives. While the large constructive forms, particularly vaults and domes, are frankly and simply expressed, the ornament as in the work of the Orient, is rather an incrustation, a mere surface decoration, than a pretense at logical construction.
- Depraved these styles are called, the one with its ever broken and twisted mouldings, the other with its rich crowded carving, and depraved we may count them, if we are of the school that thinks the purpose of architectural ornament is always to state some fact of construction. The Mexican architects and their workmen were certainly not of this school. They broke their mouldings, turned and curved them and multiplied their ornament for the pure joy it gave them to see the sparkle of the sunlight on their white walls.
Quotes about Stein[edit]
- Laid out in 1928 by the planners Clarence Stein and Henry Wright, Radburn was intended to showcase the concept of a garden city in America. Though only partially completed due to bankruptcy of the development corporation, Radburn has been championed as a model for building communities in green, landscaped settings. The basic components of the Radburn approach are superblocks, community parks and facilities, vehicular networks, and pedestrian paths.
- Renee Y. Chow, Suburban Space: The Fabric of Dwelling (2002)
- In the early 1920s, Stein set out on his own as an architect and was drawn into a circle of intellectuals who directed their energies toward regional planning and affordable housing. Among his associates were Benton MacKaye, who fathered the Appalachian Trail, the critic Lewis Mumford, and the architect Henry Wright. These four men studied Ebenezer Howard's English Garden Cities at Letchworth and Welwyn, seeking to adapt the concepts to America. Stein and Wright—along with real estate developer Alexander Bing and others—demonstrated these ideas at Sunnyside Gardens (1924) in Queens, New York.
- Allen Freeman, 'Gold Medalist 1956 Clarence S. Stein, FAIA,' Architecture: Celebrating the Past, Designing the Future (2008) ed., Nancy B. Solomon
- The planning/architecture team of Henry Wright Sr. and Clarence S. Stein did much to influence the development of urbanism in this country. Their example would have been of greater impact if the Depression had not occurred shortly after the birth of Radburn, their foremost work. Influenced by.. the Garden City movement.. Wright and Stein fought valiantly—generally against municipal and corporate indifference—to make large scale planning an essential ingredient of urban expansion.
- G. E. Kidder Smith, Source Book of American Architecture: 500 Notable Buildings from the 10th Century to the Present (2000)
- Books on model suberbs of the 1920s expressed great enthusiasm. The best survey is Clarence S. Stein, Toward New Towns for America (New York, 1973)
- Gwendolyn Wright, Building the Dream: A Social History of Housing in America (1983)
External links[edit]
Wikipedia has an article about:
Gwendolyn Wright Facebook
Retrieved from 'https://en.wikiquote.org/w/index.php?title=Clarence_Stein&oldid=2462150'
Alma mater | University of California, Berkeley, MArch and PhD New York University, BA |
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Awards | Fellowship in the Humanities from the Ford Foundation, 1979-80 Nina Sutton Weeks Fellowship from the Stanford Humanities Center, 1982-83 Graham Foundation Fellowship, 2006Elected a fellow in the Society of American Historians in 1985 Fellowship from the University of Michigan Institute for the Humanities, 1991 Getty Fellowship from the Getty Center for the History of Art and the Humanities, 1992-93 Guggenheim Fellowship, 2004-5 Beverly Willis Architecture Foundation Fellowship, 2005-6 |
Scientific career | |
Fields | Architectural History Urban History Art History |
Institutions | Columbia University |
Gwendolyn Wright is an award-winning architectural historian, author, and co-host of the PBStelevision series History Detectives. She is a professor of architecture at Columbia University, also holding appointments in both its departments of history and art history.[1] Besides 'History Detectives', Dr. Wright's specialties are USarchitectural history and urban history from after the Civil War to the present. She also writes about the exchange across national boundaries of architectural styles, influences, and techniques, particularly examining the colonial and neo-colonial attributes of both modernism and historic preservation.[2]
Biography[edit]
Gwendolyn Wright attended New York University, and in 1969 received a BA in history and art history. She did her graduate work at the University of California, Berkeley, and was awarded her M.Arch in 1974 and her PhD in Architecture in 1978. She published her first book in 1980.[3]
Wright was hired by Columbia University in 1983, two years later becoming the first female to gain tenure in its prestigious Graduate School of Architecture, Planning and Preservation.[2] She succeeded founder Robert A. M. Stern as director of the Buell Center for the Study of American Architecture, serving in that capacity from 1988 to 1992.[3][4]
In 2002, she was hired by television producers to be part of what would ultimately become the new TV series 'History Detectives'.[3] Back then the working title for the show was “American Attic”, and the initial concept was to tell stories of history through a focus on houses, hence their interest in adding an experienced architectural historian like Wright.[5] The concept has evolved into solving historical puzzles that use a wide variety of tangible objects to show how historians piece together various kinds of knowledge—and conflicting evidence and diverse perspectives—about what happened, how and why. The show has become one of the most popular and successful programs on PBS. Wright has remained one of the five hosts in front of the camera from its initial broadcast season in 2003 to the present.[6] In the show's publicity, she is held up as the team member most likely to suggest how to proceed when the rest are stymied.[1]
She has authored four books, edited two others, and written numerous articles, reviews, and essays.[3][7]
Gwendolyn Wright has been recognized for her achievements on numerous occasions, including a John Simon Guggenheim Memorial Foundation Fellowship, 2004-5, a Fellowship in the Humanities from the Ford Foundation, 1979–80; a Nina Sutton Weeks Fellowship from the Stanford Humanities Center, 1982–83; a Fellowship from the University of Michigan Institute for the Humanities, 1991; a Getty Fellowship from the Getty Center for the History of Art and the Humanities, 1992–93; a Beverly Willis Architecture Foundation Fellowship, 2005-6; and a Graham Foundation Fellowship, 2006. She was elected a fellow in the Society of American Historians in 1985, honoring literary quality in historical writing.[3]
Wright is married to the historian Anson Rabinbach. She has a daughter, Sophia Bender Koning, and a stepson, David Bender.[8]
Bibliography[edit]
Moralism and the Model Home: Domestic Architecture and Cultural Conflict in Chicago, 1873-1913. 1980 (1985 paperback) University of Chicago Press. ISBN978-0-226-90835-9
- Chicago residential architectural history in the context of competing economic and cultural forces during the pivotal years 1873-1913.
Building the Dream: A Social History of Housing in America. 1981 (1983 paperback).New York: Pantheon (MIT Press paperback). ISBN978-0-394-50371-4 (9780262730648 paperback)
- US residential architectural history in the context of other developments since the late 1600s.
The History of History in American Schools of Architecture, 1865-1975. (edited with Janet Parks) 1990 (1996 paperback). New York: Princeton Architectural Press. ISBN978-1-878271-02-0
- Examination of the role of and changes in the teaching of history within US schools of architecture, including the relationship of architectural history to architectural theory and learning.
The Politics of Design in French Colonial Urbanism. 1991. University Of Chicago Press. ISBN978-0-226-90848-9
- Morocco, Indochina, and Madagascar architectural history during the French colonial administration.
The Formation of National Collections of Art and Archaeology. 1995. CASVA/National Gallery of Art. ISBN978-0-300-07718-6
- Examination of the architecture and contents of museums and their role in depicting and shaping national identities and aspirations.
USA: Modern Architectures in History. 2008. Reaktion Press/University of Chicago. ISBN978-1-86189-344-4
- US architectural history survey emphasizing Modernism as a response to changing economic and cultural conditions since 1865.
See also[edit]
References[edit]
- ^ ab'Gwendolyn Wright'. PBS History Detectives. Arlington, Virginia: PBS. Retrieved March 15, 2010.
- ^ ab'Profile'. Gwendolyn Wright. Retrieved March 15, 2010.
- ^ abcde'Curriculum Vitae'. Gwendolyn Wright. Retrieved March 15, 2010.
- ^'The Temple Hoyne Buell Center for the Study of American Architecture History'. GSAPPonline. Archived from the original on June 23, 2010. Retrieved March 15, 2010.
- ^Molaro, Mark (November 9, 2009). 'PBS 'History Detectives' Host/Historian Gwendolyn Wright'. The Alcove. New York, NY.
- ^'Overview'. PBS History Detectives. Arlington, Virginia: PBS. Retrieved March 15, 2010.
- ^'Publications'. Gwendolyn Wright. Retrieved March 15, 2010.
- ^'Interview Gwen'. PBS History Detectives. Arlington, Virginia: PBS. Retrieved March 15, 2010.
External links[edit]
- About Gwendolyn Wright, page on PBS 'History Detectives' website
- PBS 'History Detectives' Host/Historian Gwendolyn Wright, YouTube interview by Mark Molaro on The Alcove
- Gwendolyn Wright, Wright's own website
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Retrieved from 'https://en.wikipedia.org/w/index.php?title=Gwendolyn_Wright&oldid=953125954'